Details / Tracklist: |
01. "Sliding Through Our Fingers" 02. "Harlequin Hallway" 03. "Time Glide" 04. "Aeolian Bodies" 05. "Shadow Dance" 06. "Encounter (vanish)" 07. "Infinite Window" 08. "Paradise Water" 09. "Skybleed Magic" 10. "Cracked Face Panel" 11. "Never Para Sempre"
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 | Number of discs: |
1 |
 | Regioncode: |
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 | Description: | Blending synth-driven avant garde compositions and thunderous drum programming, this albumâ??s sonics owe as much to modern R&B icons like Frank Ocean and The Weeknd as they do to legendary composers such as David Axelrod, Tangerine Dream and the sadly recently-departed Vangelis or contemporary breakbeat aficionados such as Sully and Jlin.
â??Iâ??m split between thinking about what makes spacey synth driven music production work, what makes rap and UK jungle work, and what makes pop and R&B work,â? explains Kuedo. â??I found myself turning more to what I just enjoy listening to, or to whatâ??s really endured through history, even if itâ??s new to me. I realised that old music can speak to the current moment as well or better than new music. Particularly in terms of ecological, planetary anxieties, and hopes tooâ?.
Renowned for his composition and sound design work for the likes of Fendi, Bvlgari, Iris Van Herpen and Nike, the release follows a 2017 collaboration with label-head Flying Lotus on the â??Blade Runner: Black Out 2022â? OST (directed by Cowboy Bepbop director ShinichirĹ Watanabe), with Kuedo also scoring Metahavenâ??s â??Eurasia (Questions on Happiness)â? and â??The Sprawl (Propaganda About Propaganda)â? films. â??Sliding Through Our Fingersâ?is the first taster from the forthcoming album that showcases Kuedoâ??s mastery of emotive synth composition. â??The music gives me a feeling of how time slides past us, how we try to hold it,â? says Kuedo. Notions of â??timeâ?? â?? of looking both forward and backward â?? run deep throughout the album and its recording process. The genesis for â??Infinite Windowâ?? began in early 2021 when Kuedo sat down to begin composing a full length album for Brainfeeder, but the finished record is a meticulously assembled collage of new composition and various demos and sound recordings, some of which stretch back almost 10 years.
â??Almost a third of the album comes from rough sketches I had written for a previous Kuedo album that never was.â? he explains. â?Turning these into finished tracks and assembling them into a unified album, into something that moved as one bodyâ?Ś that was a complex experience. It felt like negotiating with previous versions of myself, down corridors of time. It was a little odd hearing a much younger me trying to get better at playing keys, and then having the me now playing alongside that. It felt like time travelling. In that process, I probably made some peace with that earlier version of myself too, for not having the confidence to finish it at the time.â? - |  | Vinyl: |
Digisleeve |
 | Manufacturer No.: |
BFCD125 |
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